Danvers in the Bedroom, “Rebecca” (1940)Īdapted from the 1938 novel by Daphne du Maurier, Hitchcock’s Best Picture winner triumphs in recreating the supernatural ambiguities of Gothic literature. Verloc, it’s a moment of suspense like no other. ![]() As a viewer who has come to identify with the lonely Ms. It’s only several seconds long, but this one slow camera push provides the visceral feeling of a predator going in for the kill. Verloc gets up from his chair to confront his wife, Hitchcock cuts to a sinsiter POV shot that slowly creeps towards the wife. Verloc and the viewer - know what’s about to take place. ![]() What follows is a master class of silence and editing, as the director cuts between the Verloc couple and the knife so that all three individuals involved - Mr. The two prepare for dinner and Hitchcock shows the viewer a knife, an unavoidable sign the meal will not end pleasantly for one of its guests. Verloc (Sylvia Sydney) finally learns the truth about her son’s murder after her husband (Oscar Homolka) confesses to his mob dealing ways. The climax of the director’s “ Sabotage” utilizes the Chekov’s gun principle to painstaking effect. The full magnitude of this shot can only be felt by watching the sequence in which it takes place, but make no mistake, this slow camera push is one of the most terrifying shots in what might just be Hitchcock’s most intense moment ever. Verloc’s Point of View, “Sabotage” (1936) ![]() ‘Jeanne Dielman’ Tops Sight & Sound’s 2022 Poll of the Best Films of All Time Mr.
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